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American musician

In this Spanish name, the showtime or paternal surname is Santana and the 2d or maternal family name is Barragán.

Carlos Santana
Santana Acer Arena (5558151833) (cropped).jpg

Santana performing in 2011
Groundwork information
Nativity name Carlos Humberto Santana Barragán
Built-in (1947-07-20) July 20, 1947 (age 74)
Autlán, Jalisco, Mexico
Origin San Francisco, California, U.S.
Genres
  • Latin rock
  • blues stone
  • jazz fusion
Occupation(due south)
  • Musician
  • songwriter
Instruments
  • Guitar
  • vocals
Years active 1965–present[update]
Labels
  • RCA[1]
  • Arista
  • Polydor
  • Columbia
  • CGD
  • PolyGram
Associated acts
  • Santana
  • John McLaughlin
  • Alice Coltrane
  • Buddy Miles
  • Wayne Shorter
  • Jorge Santana
Website santana.com

Musical creative person

Carlos Humberto Santana Barragán [2] (Spanish: [.karlos sanˈtana] ( listen ); born July 20, 1947) is an American guitarist who rose to fame in the late 1960s and early 1970s with his ring Santana, which pioneered a fusion of rock 'n' whorl and Latin American jazz. Its sound featured his melodic, blues-based lines prepare against Latin American and African rhythms played on percussion instruments not by and large heard in rock, such as timbales and congas. He experienced a resurgence of popularity and critical acclaim in the late 1990s. In 2015, Rolling Rock mag listed him at No. twenty on their listing of the 100 greatest guitarists.[three] He has won x Grammy Awards and 3 Latin Grammy Awards,[iv] and was inducted along with his namesake ring into the Rock and Roll Hall of Fame in 1998.[five]

Biography [edit]

Early life [edit]

Santana was born in Autlán de Navarro in Jalisco, Mexico on July 20, 1947. He learned to play the violin at age v and the guitar at age eight, under the tutelage of his father, who was a mariachi musician.[6] His younger blood brother, Jorge, also became a professional guitarist. Santana was heavily influenced by Ritchie Valens at a time when there were very few Mexicans in American rock music. The family moved from Autlán to Tijuana, on the border with the U.S. They then moved to San Francisco, California, where his father had steady work.[6] [7] [8] [ix] In October 1966, Santana started the Santana Blues Band. By 1968, the band had begun to comprise different types of influences into their electric blues. Santana later said, "If I would go to some true cat'south room, he'd be listening to Sly [Rock] and Jimi Hendrix; some other guy to the Stones and the Beatles. Another guy'd be listening to Tito Puente and Mongo Santamaría. Another guy'd be listening to Miles [Davis] and [John] Coltrane... to me, it was like beingness at a university."[10]

Effectually the age of viii, Santana "cruel under the influence" of blues performers similar B.B. King, Javier Bátiz, Mike Bloomfield, and John Lee Hooker. Gábor Szabó's mid-1960s jazz guitar work also strongly influenced Santana's playing. Indeed, Szabó'southward composition "Gypsy Queen" was used every bit the second function of Santana's 1970 handling of Peter Dark-green's composition "Black Magic Adult female", almost down to identical guitar licks. Santana's 2012 instrumental anthology Shape Shifter includes a song called "Mr. Szabo", played in tribute in the fashion of Szabó. Santana also credits Hendrix, Bloomfield, Hank Marvin, and Peter Green as important influences; he considered Bloomfield a direct mentor, writing of a key coming together with Bloomfield in San Francisco in the foreword he wrote to a 2000 biography of Bloomfield, Michael Bloomfield: If You Love These Dejection – An Oral History.[11] Between the ages of 10 and 12, he was sexually abused by an American man who brought him across the border.[12] Santana lived in the Mission District, graduated from James Lick Centre School, and left Mission Loftier School in 1965. He was accepted at California State University, Northridge and Humboldt State University, only chose not to attend college.[13]

Early career [edit]

Santana was influenced by pop artists of the 1950s such as B.B. King, T-Os Walker, Javier Batiz,[15] and John Lee Hooker.[sixteen] Shortly afterward he began playing guitar, he joined local bands along the "Tijuana Strip" where he was able to begin developing his own sound.[sixteen] He was as well introduced to a variety of new musical influences, including jazz and folk music, and witnessed the growing hippie movement centered in San Francisco in the 1960s. Subsequently several years spent working as a dishwasher at Tic Tock Bulldoze-In No2 and busking to pay for a Gibson SG, replacing a destroyed Gibson Melody Maker,[17] Santana decided to become a full-time musician. In 1966, he was chosen along with other musicians to form an advertizing hoc band to substitute for that of an intoxicated Paul Butterfield set to play a Lord's day matinee at Pecker Graham's Fillmore Auditorium. Graham selected the substitutes from musicians he knew primarily through his connections with the Butterfield Blues Ring, Grateful Dead, and Jefferson Plane. Santana's guitar playing defenseless the attention of both the audition and Graham.[xviii]

During the same year he and fellow street musicians David Chocolate-brown (bass guitar), Marcus Malone (percussion) and Gregg Rolie (lead vocals, Hammond Organ B3), formed the Santana Blues Ring.[19] Playing a highly original blend of Latin-infused rock, jazz, blues, salsa, and African rhythms, the ring gained an firsthand following on the San Francisco gild excursion.

Record deal, Woodstock breakthrough, and height of success: 1969–1972 [edit]

Trade ad for Santana'due south album Santana 3

Santana's ring was signed past Columbia Records, which shortened its name to simply "Santana".[twenty] It went into the studio to record its beginning anthology in January 1969, finally laying down tracks in May that became its first album. Members were not satisfied with the release, dismissed drummer Bob Livingston, and added Mike Shrieve, who had a stiff background in both jazz and rock. The ring then lost percussionist Marcus Malone, who was charged with involuntary manslaughter. Michael Carabello was re-enlisted in his place, bringing with him experienced Nicaraguan percussionist José Chepito Areas.

Major rock music promoter Bill Graham, a Latin Music aficionado who had been a fan of Santana from its inception, arranged for the ring to appear at the Woodstock Music and Art Festival before its debut album was even released. Its set was one of the surprises of the festival, highlighted by an xi-infinitesimal performance of a throbbing instrumental, "Soul Cede". Its inclusion in the Woodstock film and soundtrack album vastly increased the band'southward popularity. Graham also suggested Santana tape the Willie Bobo song "Evil Ways", as he felt it would get radio airplay. The band'due south first album, Santana, was released in August 1969 and became a striking, reaching No. 4 on the U.S. Billboard 200.[21]

The band's performance at Woodstock and the follow-up sound runway and movie introduced them to an international audience and garnered critical acclamation. The sudden success which followed put pressure on the group, highlighting the different musical directions Rolie and Santana were starting to go. Rolie, forth with some of the other ring members, wanted to emphasize a basic hard rock sound which had been a key component in establishing the band from the start. Santana, however, was increasingly interested in moving beyond his love of blues and stone and wanted more jazzy, ethereal elements in the music. He became fascinated with Gábor Szabó, Miles Davis, Pharoah Sanders, and John Coltrane, likewise as developing a growing interest in spirituality. At the same time, Chepito Areas was stricken with a near-fatal encephalon hemorrhage, and Santana hoped to continue by finding a temporary replacement (kickoff Willie Bobo, then Coke Escovedo), while others in the ring, especially Michael Carabello, felt it was wrong to perform publicly without Areas. Cliques formed, and the band started to atomize.

Consolidating the interest generated by their get-go album, and their highly acclaimed live performance at the Woodstock Festival in August 1969, the band followed upwardly with their 2nd anthology, Abraxas, in September 1970. The album's mix of stone, blues, jazz, salsa and other influences was very well received, showing a musical maturation from their first album and refining the band'south early sound. Abraxas included 2 of Santana'south nearly enduring and well-known hits, "Oye Como Va", and "Blackness Magic Woman/Gypsy Queen". Abraxas spent six weeks at No. 1 on the Billboard chart at the stop of 1970.[22] The album remained on the charts for 88 weeks and was certified 4x platinum in 1986.[23] In 2003, the album was ranked number 205 on Rolling Stone magazine'due south list of the 500 greatest albums of all fourth dimension.[24]

Teenage San Francisco Bay Area guitar prodigy Neal Schon joined the Santana band in 1971, in time to complete the third album, Santana 3. The ring at present boasted a powerful dual-lead-guitar act that gave the album a tougher sound. The sound of the band was as well helped by the return of a recuperated Chepito Areas and the aid of Coke Escovedo in the percussion section. Enhancing the band's sound further was the support of popular Bay Area group Tower of Ability'southward horn department, Luis Gasca of Malo, and other session musicians which added to both percussion and vocals, injecting more free energy to the proceedings. Santana 3 was some other success, reaching No. 1 on the album charts, selling two million copies, and yielding the hit "No Ane to Depend On".

Tension between members of the band connected, withal. Along with musical differences, drug use became a problem, and Santana was deeply worried that it was affecting the band'south performance. Coke Escovedo encouraged Santana to take more control of the band's musical direction, much to the dismay of some of the others who thought that the band and its sound was a commonage effort. Also, financial irregularities were exposed while nether the direction of Stan Marcum, whom Bill Graham criticized as beingness incompetent. Growing resentments between Santana and Michael Carabello over lifestyle problems resulted in his deviation on bad terms. James Mingo Lewis was hired at the last minute as a replacement at a concert in New York City. David Brown later left due to substance abuse issues. A South American tour was cut brusk in Lima, Republic of peru due to unruly fans and pupil protests against U.S. governmental policies.

In January 1972, Santana, Schon, Escovedo, and Lewis joined former Ring of Gypsys drummer Buddy Miles for a concert at Hawaii's Diamond Head Crater, which was recorded for the album Carlos Santana & Buddy Miles! Live!, which became a gilt tape.

Caravanserai [edit]

Santana performing in Hamburg, Germany in 1973

In early on 1972, Santana and the remaining members of the band started working on their fourth album, Caravanserai. During the studio sessions, Santana and Michael Shrieve brought in other musicians: percussionists James Mingo Lewis and Latin-Jazz veteran, Armando Peraza replacing Michael Carabello, and bassists Tom Rutley and Doug Rauch replacing David Brown. As well assisting on keyboards were Wendy Haas and Tom Coster. With the unsettling influx of new players in the studio, Gregg Rolie and Neal Schon decided that it was time to leave afterwards the completion of the anthology, fifty-fifty though both contributed to the session. Rolie returned home to Seattle; subsequently, he and Schon became founding members of Journey.

When Caravanserai did emerge in 1972, it marked a strong change in musical direction towards jazz fusion. The album received critical praise, simply CBS executive Clive Davis warned Santana and the band that information technology would sabotage the band'south position as a "Height 40" human activity. Nevertheless, over the years, the album achieved platinum status. The difficulties Santana and the band went through during this menstruation were chronicled in Ben Fong-Torres' Rolling Stone 1972 cover story "The Resurrection of Carlos Santana".

Shifting styles and spirituality: 1972–1979 [edit]

New Yr's Eve 1976 at the Cow Palace in San Francisco

In 1972, Santana became interested in the pioneering fusion ring the Mahavishnu Orchestra and its guitarist, John McLaughlin. Aware of Santana's interest in meditation, McLaughlin introduced Santana and his wife Deborah to his guru Sri Chinmoy. Chinmoy accustomed them as disciples in 1973. Santana was given the name Devadip, meaning "The lamp, light and middle of God". Santana and McLaughlin recorded an album together, Dearest, Devotion, Surrender (1973) with members of Santana and the Mahavishnu Orchestra, along with percussionist Don Alias and organist Larry Young, both of whom had fabricated appearances, forth with McLaughlin, on Miles Davis' archetype 1970 album Bitches Brew.

In 1973, Santana, having obtained legal rights to the ring'due south proper noun, Santana, formed a new version of the band with Armando Peraza and Chepito Areas on percussion, Doug Rauch on bass, Michael Shrieve on drums, and Tom Coster and Richard Kermode on keyboards. Santana later was able to recruit jazz vocalist Leon Thomas for the tour supporting Caravanserai in Japan on July 3 and four, 1973, which was recorded for the 1974 alive, sprawling, high-energy triple vinyl LP fusion album Lotus. CBS records would not permit its release unless the material was condensed. Santana did not concord to those terms, and Lotus was available in the U.S. just every bit an expensive, imported, 3-record set. The grouping later went into the studio and recorded Welcome (1973), which further reflected Santana'south interests in jazz fusion and his increasing commitment to the spiritual life of Sri Chinmoy.

A collaboration with John Coltrane's widow, Alice Coltrane, Illuminations (1974), followed. The album delved into avant-garde esoteric gratuitous jazz, Eastern Indian and classical influences with other ex-Miles Davis sidemen Jack DeJohnette and Dave Kingdom of the netherlands. Soon after, Santana replaced his ring members over again. This time Kermode, Thomas and Rauch departed from the group and were replaced by singer Leon Patillo (later a successful Contemporary Christian artist) and returning bassist David Brown. He as well recruited soprano saxophonist, Jules Broussard for the lineup. The band recorded ane studio album Borboletta, which was released in 1974. Drummer Leon "Ndugu" Chancler later on joined the band as a replacement for Michael Shrieve, who left to pursue a solo career.

By this time, Bill Graham'south direction company had assumed responsibility for the affairs of the group. Graham was critical of Santana'due south movement into jazz and felt he needed to concentrate on getting Santana back into the charts with the edgy, streetwise indigenous sound that had made them famous. Santana himself was seeing that the group's direction was alienating many fans. Although the albums and performances were given good reviews past critics in jazz and jazz fusion circles, sales had plummeted.

Santana, forth with Tom Coster, producer David Rubinson, and Chancler, formed yet another version of Santana, adding vocalizer Greg Walker. The 1976 album Amigos, which featured the songs "Dance, Sister, Dance" and "Permit It Shine", had a strong funk and Latin sound. The anthology received considerable airplay on FM album-oriented rock stations with the instrumental "Europa (Earth'southward Cry Heaven's Grin)" and re-introduced Santana to the charts. In 1976, Rolling Stone ran a second comprehend story on Santana entitled "Santana Comes Home". In Feb 1976, Santana was presented with xv aureate disc in Australia, representing sales in excess of 244,000.[25]

The albums conceived through the belatedly 1970s followed the same formula, although with several lineup changes. Among the new personnel who joined was electric current percussionist Raul Rekow, who joined in early 1977. Well-nigh notable of the ring's commercial efforts of this era was a version of the 1960s Zombies striking, "She'due south Non There", on the 1977 double anthology Moonflower.

Santana recorded 2 solo projects in this time: Oneness: Silverish Dreams – Golden Reality, in 1979 and The Swing of Delight in 1980, which featured Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams.

The pressures and temptations of being a high-contour stone musician and requirements of the spiritual lifestyle which guru Sri Chinmoy and his followers demanded were in conflict, and imposed considerable stress upon Santana's lifestyle and union. He was becoming increasingly disillusioned with what he thought were the unreasonable rules that Chinmoy imposed on his life, and in particular with his refusal to allow Santana and Deborah to start a family. He felt besides that his fame was existence used to increase the guru's visibility. Santana and Deborah eventually ended their relationship with Chinmoy in 1982.

1980s and early 1990s [edit]

Santana in Barcelona, Spain, 1984

More radio-friendly singles followed from Santana and the band. "Winning" in 1981 (from Zebop!) and "Concord On" (a remake of the Canadian creative person Ian Thomas' song) in 1982 both reached the top twenty. After his break with Sri Chinmoy, Santana went into the studio to record another solo anthology with Keith Olson and legendary R&B producer Jerry Wexler. The 1983 album Havana Moon revisited Santana's early musical experiences in Tijuana with Bo Diddley'south "Who Do You lot Love" and the title cut, Chuck Drupe'southward "Havana Moon". The anthology's guests included Booker T. Jones, the Fabulous Thunderbirds, Willie Nelson, and even Santana's father's mariachi orchestra. Santana again paid tribute to his early on stone roots by doing the film score to La Bamba, which was based on the life of stone and whorl fable Ritchie Valens and starred Lou Diamond Phillips.

The band Santana returned in 1985 with a new album, Beyond Appearances, and ii years later with Freedom.

Growing weary of trying to gratify record company executives with formulaic hitting records, Santana took great pleasure in jamming and making guest appearances with notables such as the jazz fusion grouping Weather Written report, jazz pianist McCoy Tyner, Blues legend John Lee Hooker, Frank Franklin, Living Colour guitarist Vernon Reid, and W African singer Salif Keita. He and Mickey Hart of the Grateful Dead later recorded and performed with Nigerian drummer Babatunde Olatunji, who conceived 1 of Santana's famous 1960s pulsate jams, "Jingo". In 1988, Santana organized a reunion with past members from the Santana band for a series of concert dates. CBS records released a 20-year retrospective of the band's accomplishments with Viva Santana! double CD compilation. That same year, Santana formed an all-instrumental group featuring jazz legend Wayne Shorter on tenor and soprano saxophone. The group also included Patrice Rushen on keyboards, Alphonso Johnson on bass, Armando Peraza and Chepito Areas on percussion, and Leon "Ndugu" Chancler on drums. They toured briefly and received much acclamation from the music press, who compared the effort with the era of Caravanserai (1972). Santana released another solo record, Blues for Salvador (1987), which won a Grammy Award for Best Rock Instrumental Functioning.

In 1990, Santana left Columbia Records afterwards twenty-two years and signed with Polygram. The following yr he made a invitee appearance on Ottmar Liebert'south album, Solo Para Ti (1991), on the songs "Reaching out 2 U" and on a comprehend of his own song, "Samba Pa Ti". In 1992, Santana hired the jam band Phish equally his opening act.[26] On his 1992 bout, Santana regularly invited some or all of the members of Phish to jam with his band during his headlining performances.[27] [28] Phish also toured with Santana in Europe in 1996.[28]

Return to commercial success [edit]

Santana performing in 2000

Santana kicked off the 1990s with a new album Spirits Dancing in the Mankind in 1990. This was followed past Milagro in 1992, a live anthology Sacred Burn down in 1993 and Brothers (a collaboration with his blood brother Jorge and nephew Carlos Hernandez) in 1994, merely sales were relatively poor. Santana toured widely over the adjacent few years only in that location were no further new album releases, and somewhen, he was even without a recording contract. Still, Arista Records' Clive Davis, who had worked with Santana at Columbia Records, signed him and encouraged him to record a star-studded album with mostly younger artists. The result was 1999's Supernatural, which included collaborations with Everlast, Rob Thomas of Matchbox 20, Eric Clapton, Lauryn Hill, Wyclef Jean, CeeLo Green, Maná, Dave Matthews, KC Porter, J. B. Eckl, and others.

However, the lead single was what grabbed the attention of both fans and the music manufacture. "Polish", a dynamic cha-cha stop-first number co-written and sung by Rob Thomas of Matchbox Xx, was laced throughout with Santana's guitar fills and runs. The runway's energy was immediately credible on radio, and it was played on a wide variety of station formats. "Smooth" spent twelve weeks at number one on the Billboard Hot 100, condign in the process the last No. i single of the 1990s. The music video, assail a hot barrio street, was besides very pop. Supernatural reached number ane on the US album charts and the follow-up single, "Maria Maria", featuring the R&B duo the Production One thousand&B, besides striking number one, spending ten weeks there in the spring of 2000. Supernatural eventually shipped over xv meg copies in the Usa, and won 8 Grammy Awards including Anthology of the Twelvemonth, making it Santana'southward most successful album.

Carlos Santana, alongside the classic Santana lineup of their first two albums, was inducted as an individual, into the Rock and Roll Hall of Fame in 1998. He performed "Black Magic Woman" with the writer of the song, Fleetwood Mac'south founder Peter Light-green. Green was inducted the same dark.

In 2000, Supernatural won nine Grammy Awards (eight for Santana personally), including Album of the Year, Record of the Yr for "Smoothen", and Vocal of the Year for Thomas and Itaal Shur. Santana'due south acceptance speeches described his feelings nearly music'due south place in one'due south spiritual being. Later that year at the Latin Grammy Awards, he won three awards including Record of the Year. In 2001, Santana's guitar skills were featured in Michael Jackson's song "Whatsoever Happens" from the album Invincible.

In 2002, Santana released Shaman, revisiting the Supernatural format of guest artists including Citizen Cope, P.O.D., and Seal. Although the album was not the delinquent success its predecessor had been, information technology produced two radio-friendly hits. "The Game of Love" featuring Michelle Branch rose to number five on the Billboard Hot 100 and spent many weeks at the top of the Billboard Adult Contemporary chart, and "Why Don't You & I" written by and featuring Republic of chad Kroeger from the group Nickelback (the original and a remix with Alex Band from the grouping the Calling were combined towards chart functioning) which reached number eight on the Billboard Hot 100. "The Game of Dear" went on to win the Grammy Award for Best Pop Collaboration with Vocals. In the aforementioned year, he was inducted into the International Latin Music Hall of Fame.[29]

Santana 2003 at a concert in Barcelona

In early on August 2003, Santana was named fifteenth on Rolling Stone magazine's list of the "100 Greatest Guitarists of All Fourth dimension". In 2004, Santana was honored every bit the Person of the Year by the Latin Recording University.[30]

On April 21, 2005, Santana was honored as a BMI Icon at the 12th annual BMI Latin Awards. Santana was the first songwriter designated a BMI Icon at the company'south Latin Awards. The honor is given to a creator who has been "a unique and enduring influence on generations of music makers."[31]

Santana during a concert in 2005

In 2005, Herbie Hancock approached Santana to collaborate on an album over again using the Supernatural formula. Possibilities was released on Baronial 30, 2005, featuring Carlos Santana and Angélique Kidjo on "Safiatou". Also, in 2005, young man Latin star Shakira invited Santana to play the soft stone guitar carol "Illegal" on her 2d English-language studio album Oral Fixation, Vol. 2.

Santana's 2005 album All That I Am consists primarily of collaborations with other artists; the first single, the peppy "I'm Feeling You", was over again with Michelle Branch and the Wreckers. Other musicians joining the mix this time included Steven Tyler of Aerosmith, Kirk Hammett from Metallica, hip-hop artist/songwriter/producer will.i.am, guitarist/songwriter/producer George Pajon, hip-hop/reggae star Sean Paul, and R&B singer Joss Stone. In April and May 2006, Santana toured Europe, where he promoted his son Salvador Santana's ring every bit his opening act.

In 2007, Santana appeared, along with Sheila Due east. and José Feliciano, on Gloria Estefan's anthology 90 Millas, on the single "No Llores". He likewise teamed again with Chad Kroeger for the hit single "Into the Dark". He also played guitar in Eros Ramazzotti's hitting "Fuoco nel fuoco" from the anthology e².

In 2008, Santana was reported to be working with his longtime friend, Marcelo Vieira, on his solo album Acoustic Demos, which was released at the cease of the year. It features tracks such as "For Flavia" and "Across the Grave", the latter said to characteristic heavy melodic riffs past Santana.

Santana performed at the 2009 American Idol Finale with the tiptop 13 finalists, which starred many acts such equally Buss, Queen and Rod Stewart. On July 8, 2009, Santana appeared at the Athens Olympic Stadium in Athens with his 10-member all-star band as role of his "Supernatural Santana – A Trip through the Hits" European tour. On July ten, 2009, he also appeared at Philip Two Stadium in Skopje. With a two.five-hr long concert and twenty 000 people, Santana appeared for the outset fourth dimension in that region. "Supernatural Santana – A Trip through the Hits" was played at the Hard Rock hotel in Las Vegas, where it was played through 2011.

Santana is featured every bit a playable grapheme in the music video game Guitar Hero five. A live recording of his song "No One to Depend On" is included in game, which was released on September 1, 2009.[32] More recently, in 2011, three Santana songs were offered as downloadable content (DLC) for guitar learning software Rocksmith: "Oye Como Va", "Smooth", and "Black Magic Woman/Gypsy Queen". In the same year, Santana received the Billboard Latin Music Lifetime Achievement Laurels.[33]

Santana, since 2007, has opened a chain of upscale Mexican restaurants called "Maria Maria". Information technology is a combined effort with Chef Roberto Santibañez. They were located in Tempe, Arizona, Factory Valley (now closed), Walnut Creek, Danville, San Diego, Austin, Texas, and Boca Raton, Florida.[34] Every bit of 2021, the only open location is in Walnut Creek.[35]

In 2012, Santana released an album Shape Shifter consisting of mostly instrumental tracks. On February 23, 2013, there was a public announcement on ultimateclassicrock.com about a reunion of the surviving members (minus Jose "Chepito" Areas) of the Santana ring who recorded Santana III in 1971. The subsequent album was titled Santana Iv. On May 6, 2014, his commencement ever Castilian language album[36] Corazón was released.

On September 12, 2015, Santana appeared as a member of Grateful Expressionless bassist Phil Lesh'south band Phil Lesh and Friends at the third almanac Lockn' Festival. He has continued to act as a mentor to a younger generation of jam acts, like Derek Trucks and Robert Randolph.[37]

In 2016, Carlos Santana reunited with past Santana band members Gregg Rolie, Michael Carabello, Michael Shrieve, and Neil Schon to release the album: Santana 4 and the band embarked on a brief bout. A total set up from this lineup was filmed at the House of Blues in Las Vegas and was released as a live anthology and a DVD titled Live at the Business firm of Dejection Las Vegas.

In 2017, Santana collaborated with the Isley Brothers to release the album The Ability of Peace on July 28, 2017.

In December 2018, Santana published a guitar lesson on YouTube every bit part of the online educational activity series MasterClass.[38]

In October 2019, Santana was featured on the American rapper Tyga'southward song "Mamacita" alongside American rapper YG. The vocal's music video premiered on YouTube on 25 October.

In March 2020, Santana's "Miraculous World Tour" was cancelled due to the COVID-xix pandemic.[39]

In August 2021, Santana signed a new global tape bargain with BMG to release his new full-length studio album Blessings and Miracles.[40] The same calendar month, he performed in New York'southward Fundamental Park forth with Rob Thomas and Wycliffe Jean.[41]

Equipment [edit]

Guitars and effects [edit]

Santana played a red Gibson SG Special with P-90 pickups at the Woodstock festival (1969). During 1970–1972, between the release of Abraxas (1970) and Santana Iii 1971, he used unlike Gibson Les Pauls and a black Gibson SG Special. In 1974, he played and endorsed the Gibson L6-South Custom. This tin be heard on the album Borboletta (1974). From 1976 until 1982, his chief guitar was a Yamaha SG 175B, and sometimes a white Gibson SG Custom with three open-coil pick-ups. In 1982, he started to use a custom made PRS Custom 24 guitar. In 1988 PRS Guitars began making Santana signature model guitars, which Santana has played through its diverse iterations ever since (see below).

Santana currently uses a Santana II model guitar fitted with PRS Santana III nickel-covered pickups, a tremolo bar, and .009–.042 approximate D'Addario strings. He also plays a PRS Santana Medico "The Multidimensional" guitar.[42] The Santana guitars characteristic necks made of a single piece of mahogany topped with rosewood fretboards (some feature highly sought-afterwards Brazilian rosewood).[43]

Santana Signature models:

  • PRS Santana I "The Yellow" guitar (1988)
  • PRS Santana II "Supernatural" guitar (1999)
  • PRS Santana III guitar (2001)
  • PRS Santana SE guitar (2001)
  • PRS Santana SE 2 guitar (2003)
  • PRS Santana Shaman SE-Limited Edition guitar (2003)
  • PRS Santana MD "The Multidimensional" guitar (2008)
  • PRS Santana 25th Anniversary guitar (2009)
  • PRS Santana Abraxas SE-Limited Edition guitar (2009)
  • PRS Santana SE "The Multidimensional" guitar (2011)
  • PRS Santana Retro guitar (2017)
  • PRS Santana Yellow SE guitar (2017)

The Carlos Santana exhibit in the Artist Gallery of the Musical Musical instrument Museum of Phoenix

Santana as well uses a classical guitar, he used the Alvarez Yairi CY127CE with Alvarez tension nylon strings,[44] in the last years from 2009 he uses custom made, semi-hollow Toru Nittono'south "Model-T" Jazz Electric Nylon.[45]

Santana does not employ many effects pedals. His PRS guitar is continued to a Mu-Tron Wah-wah pedal (or, more recently, a Dunlop 535Q wah[46] and a T-Rex Replica delay pedal,[46] [47] then through a customized Jim Dunlop amp switcher which in plough is connected to the dissimilar amps or cabinets.

Previous setups include an Ibanez Tube Screamer[48] right after the guitar. He is also known to have used an Electro-Harmonix Big Muff distortion for his famous sustain. In the song "Stand Upwards" from the album Marathon (1979), Santana uses a Heil talk box in the guitar solo. He has also used the Audiotech Guitar Products 1x6 Rack Mount Audio Switcher in rehearsals for the 2008 "Live Your Light" bout.

Santana uses two different guitar picks: the large triangular Dunlop he has used for so many years, and the Five-Choice Freakishly Large Round.

Amplifiers [edit]

Santana'south distinctive guitar tone is produced by PRS Santana signature guitars plugged into multiple amplifiers. The amps consist of a Mesa Boogie Mark I, Dumble Overdrive Reverb and more recently a Bludotone amplifier. Santana compares the tonal qualities of each amplifier to that of a singer producing head/nasal tones, chest tones, and belly tones. A three-manner amp switcher is employed on Carlos's pedal lath to enable him to switch between amps. Often the unique tones of each amplifier are blended together, complementing each other producing a richer tone.

He also put the "Boogie" in Mesa Boogie. Santana is credited with coining the popular Mesa amplifier name when he tried one and exclaimed, "That little thing really Boogies!"[49]

Specifically, Santana combines a Mesa/Boogie Marking I caput running through a Boogie cabinet with Altec 417-8H (or recently JBL E120s) speakers, and a Dumble Overdrive Reverb and/or a Dumble Overdrive Special running through a Brown or Marshall 4x12 cabinet with Celestion G12M "Greenback" speakers, depending on the desired audio. Shure KSM-32 microphones are used to pick up the sound, going to the PA. Additionally, a Fender Cyber-Twin Amp is mostly used at habitation.

During his early career, Santana used a GMT transistor amplifier stack and a silverface Fender Twin. The GMT 226A rig was used at the Woodstock concert as well as during recording Santana'south debut album. During this era, Santana besides began to use the Fender Twin, which was also used on the debut and proceedingly[ clarification needed ] at the recording sessions of Abraxas.

Personal life [edit]

Santana became a naturalized U.S. citizen in 1965.[50] He married Deborah Rex, girl of blues musician Saunders Rex, in 1973. They have iii children named Salvador, Stella, and Angelica,[51] and co-founded a non-profit arrangement called the Milagro (Miracle) Foundation, which provides fiscal aid for educational, medical, and other needs.[52] [53] On October 19, 2007, Deborah filed for divorce afterward 34 years of marriage, citing irreconcilable differences.[54]

Santana became engaged to drummer Cindy Blackman later on proposing to her during a concert of the Universal Tone Tour at Tinley Park on July 9, 2010. The two were married in December 2010,[55] [56] and currently live in Las Vegas.[57]

Discography [edit]

Studio albums [edit]

  • Love Devotion Surrender (1973)
  • Illuminations (1974)
  • Oneness – Silvery Dreams Golden Reality (1979)
  • The Swing of Please (1980)
  • Havana Moon (1983)
  • Blues for Salvador (1987)
  • Santana Brothers (1993)

Alive albums [edit]

  • Carlos Santana & Buddy Miles! Live! (1972)
  • Carlos Santana Alive (2004) – unofficial
  • Carlos Santana and Wayne Shorter (2005)

Compilation albums [edit]

  • Magic of Carlos Santana (2001)
  • Divine Light (2001)
  • The Latin Sound of Carlos Santana (2003)
  • Carlos Santana (2004)
  • Very Best of Carlos Santana (2005)
  • Carlos Santana (2006)
  • Havana Moon/Blues for Salvador (2007)
  • Multi-Dimensional Warrior (2008)

Guest appearances [edit]

  • Dora the Explorer, "Oye Como Va" (2005)

Memoir [edit]

On November 4, 2014, his memoir The Universal Tone: Bringing My Story to Calorie-free was published.[36] [58] ISBN 978-0-31624-492-3

Awards and nominations [edit]

Encounter as well [edit]

Explanatory notes [edit]

  1. ^ Indicates the twelvemonth of anniversary. Each year is linked to the article near the awards held that twelvemonth, wherever possible.

Citations [edit]

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  2. ^ Ovalle, Juan Martín (March 29, 2019). "United nations verano con el legendario Carlos Santana". Fort Worth Star-Telegram (in Spanish).
  3. ^ "100 Greatest Guitarists". Rolling Stone. December 18, 2015. Archived from the original on July 30, 2018. Retrieved August 12, 2018.
  4. ^ "Santana received 10 Grammy Awards and 3 Latin Grammy Awards". AllMusic. 1999. Retrieved October 20, 2010.
  5. ^ "Santana". Stone and Scroll Hall of Fame. Retrieved August 15, 2019.
  6. ^ a b Brichi, Karim. "1947-1966". Santanamigos . Retrieved September 27, 2020.
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  9. ^ "Bay Area". technology.osu.edu. Apr 29, 2020. Retrieved September 27, 2020.
  10. ^ Szatmary, David P. (2014). Rockin' in Time. United states: Pearson. p. 216. ISBN978-0-205-93624-iii.
  11. ^ "Carlos Santana Influences". Dougpayne.com. Apr 23, 1977. Retrieved March 13, 2010.
  12. ^ "Santana Says He Was Molested As A Child". mtv.com.
  13. ^ "50 facts from life of Carlos Santana". BOOMSbeat. Dec 29, 2015. Retrieved August 11, 2017.
  14. ^ Carlos Santana: I'm Immortal interview past Punto Digital, October 13, 2010.
  15. ^ "Javier Bátiz, Santana – I love you much too much (en directo)". June two, 2015. Archived from the original on October 28, 2021 – via YouTube.
  16. ^ a b "Carlos Santana – the rex of World Music". La Voz. Denver: La Voz Publishing Company. 24 (34): 11. Baronial 26, 1998. ISSN 0746-0988. OCLC 9747738. When the family unit moved to the nail town of Tijuana in 1955, 8-twelvemonth-former Carlos picked up the guitar, studying and emulating the sounds of B.B. King, T-Os Walker, and John Lee Hooker. Presently he was playing with local bands similar "T.J.'due south," where he added his own unique bear on and feel to the popular songs of '50s rock 'n' whorl. Every bit he continued to play with unlike bands along the busy "Tijuana Strip," he started to perfect his way and sound.
  17. ^ Santana, Carlos (November 4, 2014). The Universal Tone: Bringing My Story to Lite. Petty, Brown. ISBN978-0-316-24491-vi. That's how I began my career equally a dishwasher at the Tic Tock Drive In. I worked at the one at 3rd and King
  18. ^ Shapiro, Marc, "Carlos Santana: Back on Summit", pages 57–58, St. Martin's Press, ISBN 0-312-26904-8, 2000.
  19. ^ Ruhlmann, William (2003). "Carlos Santana > Biography". AllMusic . Retrieved June 25, 2009.
  20. ^ [ane] [ dead link ]
  21. ^ Santana. Sony. 1998. 489542-ii.
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  23. ^ "Santana – Abraxas". Superseventies.com. Retrieved June 14, 2014.
  24. ^ Levy, Joe; Steven Van Zandt (2006) [2005]. "205 | Abraxas – Santana". Rolling Stone's 500 Greatest Albums of All Time (3rd ed.). London: Turnaround. ISBN 1-932958-61-iv. OCLC 70672814. Archived from the original on November 6, 2007. Retrieved March 9, 2006.
  25. ^ "Material Returns" (PDF). Cash Box. February 21, 1976. p. 48. Retrieved November 21, 2021 – via World Radio History.
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  27. ^ Puterbaugh, Parke (2009). Phish: The Biography. Hachette Books. p. 107. ISBN9780306819476.
  28. ^ a b Bernstein, Scott. "Watch Phish Guest With Santana At Blossom In 1992: Video". JamBase . Retrieved February 21, 2022.
  29. ^ "International Latin Music Hall of Fame Announces Inductees for 2002". April 5, 2002. Retrieved October 31, 2015.
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  31. ^ "Artists Announced for Tribute to Carlos Santana at BMI Latin Awards in Las Vegas". bmi.com. March 22, 2005. Retrieved September 15, 2010.
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  34. ^ Ella Lawrence (January 28, 2010). "Carlos Santana opens Maria Maria in Danville". San Francisco Chronicle.
  35. ^ "Maria Maria Restaurants". Maria Maria Restaurants . Retrieved Baronial 27, 2021.
  36. ^ a b "In Music, Carlos Santana Seeks The Divine". NPR. November 4, 2014. Retrieved November 14, 2014.
  37. ^ "Interview: Carlos Santana Discusses His MasterClass on "The Art and Soul of Guitar"". Relix.com. March six, 2019. Retrieved June x, 2021.
  38. ^ "Carlos Santana Joins Online MasterClass Teaching Staff". L4LM. December 13, 2018.
  39. ^ "Santana Cancel European Tour Due To Coronavirus". Rolling Rock . Retrieved May 8, 2020.
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  41. ^ "NYC Fundamental Park Homecoming Concert". CNN . Retrieved Baronial 21, 2021.
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  43. ^ "Santana – Musician's Corner – Ruby-red Guitar". Santana.com. Archived from the original on Apr one, 2009. Retrieved March 13, 2010.
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  47. ^ [three] Archived September 27, 2007, at the Wayback Auto
  48. ^ [4] Archived May viii, 2015, at the Wayback Machine
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  50. ^ "Welcome to the Pacific Coast Clearing Museum". learn.pacificcoastimmigration.org. Archived from the original on March 18, 2011. Retrieved October 19, 2010.
  51. ^ "Carlos Santana". Biography.com.
  52. ^ "The Milagro Foundation". www.carlosshoesformen.com. Archived from the original on March 10, 2018. Retrieved Jan two, 2022.
  53. ^ "The Milagro Foundation: Making a difference in the lives of children through health, education, and the arts". www.milagrofoundation.org. Archived from the original on November 10, 2000. Retrieved January ii, 2022.
  54. ^ Dean Goodman (July 12, 2010). "Carlos Santana proposes onstage to girlfriend". Reuters . Retrieved Nov 8, 2010.
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  57. ^ "Realtor – Real Manor News and Communication Customs". Realtor.com. Retrieved June 14, 2014.
  58. ^ "Carlos Santana: 'I Am A Reflection Of Your Light'". NPR. Nov 4, 2014. Retrieved November 14, 2014.
  59. ^ "Tony Bennett To Receive Billboard'due south Century Award". Billboard. Nielsen Business Media. August four, 2006. Retrieved January iv, 2020.
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  64. ^ "Echoes Debut in Berlin". Billboard. Vol. 113, no. 13. Nielsen Business Media. March 31, 2001. p. 82. ISSN 0006-2510. Retrieved January four, 2020.
  65. ^ "Carlos Santana | Artist". The Recording Academy. Retrieved Jan 4, 2020.
  66. ^ "Carlos Santana". GRAMMY.com. Nov 23, 2020. Retrieved December xxx, 2021.
  67. ^ "Hollywood Walk of Fame Carlos Santana". Hollywood Walk of Fame. Retrieved January 4, 2020.
  68. ^ "International Latin Music Hall of Fame Announces Inductees for 2002". April 5, 2002. Archived from the original on September 24, 2015. Retrieved Oct 31, 2015.
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General sources [edit]

  • Soul Sacrifice: The Carlos Santana Story, Simon Leng, 2000
  • Space Between the Stars, Deborah Santana, 2004
  • Rolling Stone, "The Resurrection of Carlos Santana", Ben Fong Torres, 1972
  • New Musical Limited, "Spirit of Santana". Chris Charlesworth, November 1973
  • Guitar Histrion Mag, 1978
  • Rolling Stone, "The Ballsy Life of Carlos Santana", 2000
  • Santana I – Sony Legacy Edition: liner notes
  • Abraxas – Sony Legacy Edition: liner notes
  • Santana III – Sony Legacy edition: liner notes
  • Viva Santana – CBS CD release 1988; liner notes
  • Ability, Passion and Beauty – The Story of the Legendary Mahavishnu Orchestra Walter Kolosky 2006
  • All-time of Carlos Santana – Wolf Marshall 1996; introduction and interview

Further reading [edit]

  • Leng, Simon (2000). Soul Sacrifice: The Santana Story. London: Firefly Pub. ISBN0-946719-29-2.
  • McCarthy, Jim (2004). Voices of Latin Rock: The People and Events That Created This Sound (1st ed.). Milwaukee, WI: Hal Leonard Corp. ISBN0-634-08061-X. Sansoe, Ron, foreword by Carlos Santana
  • Molenda, Michael (ed.). Guitar Player Presents Carlos Santana, Backbeat Books, 2010, 124 pp., ISBN 978-0-87930-976-three
  • Remstein, Henna. Carlos Santana (Latinos in the Limelight), Chelsea Business firm Publications, 2001, 64 pp., ISBN 0-7910-6473-5
  • Santana, Deborah (Male monarch); Miller, Hal; Faulkner, John (ed.), with a foreword by Bill Graham. Santana: A Retrospective of the Santana Ring's Twenty Years in Music, San Francisco Mission Cultural Center, 1987, fifty pp., no ISBN. OCLC 77798816 Includes a iv-p genealogical tree w/the member's proper name for every Santana band from 1966. Copy at SFPL
  • Santana, Deborah (King) (March 1, 2005). Space Between the Stars: My Journey to an Open Centre (1st ed.). New York: 1 World/Ballantine Books. ISBN978-0345471253.
  • Shapiro, Marc (2000). Carlos Santana: Dorsum on Meridian. New York: St. Martin'south Press. ISBN0-312-28852-two.
  • Slavicek, Louise Chipley (2006). Carlos Santana. New York: Chelsea House Publishers. ISBN0-7910-8844-8. Juvenile literature
  • Sumsion, Michael. Maximum Santana: The Unauthorized Biography of Santana, Chrome Dreams, 2003, ISBN 1-84240-107-half dozen. A CD-audio biog
  • Weinstein, Norman (2009). Carlos Santana: A Biography. Santa Barbara, Calif.: Greenwood Printing. ISBN978-0-313-35420-5.
  • Woog, Adam (2007). Carlos Santana: Legendary Guitarist. Detroit: Clear-cut Books. ISBN978-ane-59018-972-6.

External links [edit]

  • Official website
  • Milagro Foundation
  • Music Carlos Santana

alatorreares1945.blogspot.com

Source: https://en.wikipedia.org/wiki/Carlos_Santana

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